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I
watched as she sometimes closed her eyes to remember
By Kendra Rich
June 25, 2001
As
I sat back in a chair at the table that had been cleared for me,
I watched as Sandra Flagg, 76, got organized and finally relaxed
in her blue recliner. It was early afternoon, and I was ready to
gain knowledge.
I was
intrigued by the possibility of stories this woman might share with
me. I intently listened and hung on to every word as she poured
out events she recollected from the past. I watched as she sometimes
closed her eyes to remember. They often sparkled with the memories,
and her face lit up with the most radiant smile as she reflected.
Together, we re-embarked a journey that began seven decades ago.
Sandra
Flagg: I was born and raised in the historical and cultural city of
Savannah, Ga. My mother died when we were very young. I was four years
old, and my brothers were two and six. My father and grandmother raised
us.
At
the time, the '30's, my father worked for the Atlantic Coast Line
Railroad, and as teenagers, we could go to concerts downtown in
the city auditorium when the big bands came to town - Count Basie,
Jimmie Funfoud and Cab Calloway. We had to sit in the balcony because
of segregation. In 1943, I married Robert Sr. I have two children,
Angela and Robert Jr. I was a nurse at Monroe Regional Hospital
for 29 years. I retired in 1985. I am a member of Blessed Trinity
Catholic Church.
Kendra
Rich: So, you were a child of the Depression?
S.F.:
Yes, I believe I was nine . . . . It was pretty good because my
father worked for the railroad, and that was high pay at the time,
so we lived pretty good.
K.R.:
What were some rules of your house that you were taught?
S.F.:
You had to be in by the time the street lights came on. You wore
that they (your parents) brought home. I remember burying some shoes
because I didn't like them, and I acted as if I never knew what
happened to them.
K.R.:
As you grew up and began to experience segregation, what was that
like:
S.F.:
Savannah had a lot of places to go, but we went on alternating white
days, black days, and we sat always in the back and during concerts,
in the balcony. We had a few black theaters, colored entrances,
doctors' offices, water fountains and restrooms. In Savannah, there
were lots of black-owned things; everything that they (whites) had,
we had too, but black-owned. Crab, shrimp and fishing were abundant.
K.R.:
Did you accept this? Why not try to fight it?
S.F.:
Well, at the time we accepted it because it was the law of the land.
But when the Constitution changed, that's what the uproar was.
K.R.:
Did it anger you?
S.F.:
No, because it was the way of life. What we expected . . . .We had
to pass the white schools to get to high school. The white kids
were let out early so when the black schools were let out, there
would be no conflicts.
K.R.:
When did you move to Ocala?
S.F.:
When I got married. I was 19. It was a little after a year, and
we moved. It was after my husband went to war (WWII), and I came
here and stayed with his family.
K.R.:
I've heard a lot of stories about Broadway. What was Broadway?
S.F.:
Broadway was downtown Ocala, but not the downtown you know. It was
different back then. It was where the black businesses were. You
had Mrs. Pearl's soul food kitchen and other dinners and groceries.
I can remember people coming from surrounding towns dressed up in
their best attire on a Friday or Saturday just to stroll and socialize
on Broadway. We also had Paradise Park. This was for blacks only;
it was the black Silver springs. We would have picnics on Sunday,
open swimming and baptisms. They had a place for the teens to go
and dance in a gazebo with a jukebox. We had the Paradise Park bathing
beauties. Now, the most exclusive place to go, and you got all dressed
up, was Club Valley. It was exclusive! Parties, dances and dinners
were held there, and the annual Ebony Woman's Club fashion show
was held there. It was the only black-owned club, owned by Earnest
Lamb, another prominent physician in the area.
K.R.:
At the time you worked at the hospital, it was segregrated, right?
S.F.:
Yes, we had separate building, the white building and a red brick
building. Say a black patient needed surgery. . . they would wheel
them from the red brick building all the way to the white building
for the surgery. Then they had to be wheeled back, with no intensive
care, no nothing.
K.R.:
Did you ever get involved in protesting against segregation when
you were in Ocala?
S.F.:
No, but I can remember my son had approached me about protesting
against a store that didn't allow blacks, and I remember telling
him, 'No.' He ended up going anyway. I remember chasing him because
I feared for him with the way they had been treating the marchers
and protesters, but he convinced me it was for a greater cause.
K.R.:
Did we have an activist of this era?
S.F.:
The Rev. Pinkston.
K.R.:
So he was like our Martin Luther King Jr., right?
S.F:
Yes, he was exactly like that. I remember they used to have to stand
guard outside of his house during the night to make sure he would
be safe.
K.R.:
When did they begin integration?
S.F.:
It was in 1965, I believe, because I remember my daughter had just
started middle school. It was like it had happened overnight.
K.R.:
You're not angry or spiteful? Why not?
S.F.:
Because, in the midst of it all, we were for each other and supported
each other. It wasn't like we didn't have . . . No, we had a whole
lot, and it was great. Where we weren't allowed to go, we had were
we could go, black-owned. What they had, we had, too.
K.R.:
Do you think it's important for the kids now to know their history?
S.F.:
I think that it is very important for the generations to know their
history so they know where they're coming from, but I think parents
should tell their children about how we pulled together and how
we had it good, even when it seemed very bad. You know, now that
I look back, I've led a pretty charmed life.
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